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Title:
The Inner Palace Edition of Feng Tianming Sanbao Xia Xiyang and the Imagination of Great Ming in the Court Drama of the Ming Dynasty
Abstract:
The Inner Palace edition of Feng Tianming Sanbao Xia Xiyang (or Eunuch Sanbao Sailing to the West Seas under Heaven’s Mandate) is the only Ming court drama preserved today that narrates the history of the Ming dynasty. Previous studies were conducted either to determine whether the drama describes the official history from a historiographical perspective or compare it with the plots of the novels of the Ming and Qing dynasties, such as Luo Maodeng’s Sanbao Taijian Xiyang Ji Tongsu Yanyi (or the Romance of the Eunuch Sanbao Sailing to the West Seas) and Peng Heling’s Sanbao Taijian Xia Xiyang (or Eunuch Saobao Sailing to the West Seas). However, it has neither been analyzed in the context of court drama of the Ming Dynasty nor positioned in the history of Ming drama. As a court drama compiled by the anonymous playwright(s) of the Inner Palace, the ideology and aesthetics of the Ming court inevitably constrained the plots and performing methods of Sailing to the West Seas. All these constraints not only show the Ming court’s attitudes toward the “distinction between Hua and Yi” after the overthrow of the Mongolian rule of the Yuan Dynasty but also reflect their impression and even imaginings of the prosperous era of the Great Ming. For this reason, I will investigate the extent to which the court drama shows the ideological form of the rule of the Ming Dynasty. I will also analyze the aesthetics of the royal family of the Ming Dynasty from the court drama from the perspective of material culture.
